This is sadly still a rare occurrence, and I would argue it is even more so nowadays with more and more of the film industry becoming a cold corporate machine where artistry is secondary and maximization of profits is first, but I don't lose hope, I know there are still film directors out there, both established and up and coming, that prioritize art and understand the value of the collaborative nature of film, and I hope to one day be able to work with one of these filmmakers and bring my art into a new format. See a recent post on Tumblr from socksonat3am about drag. My Name is Scorpius Van-Gogh, I am what you call a Drag King. coyote.txt drag drag kings erasure masculinity. Drag King Central Submit questions about kinging, pictures and videos of kings performing, and links to your favorite drag kings So this was a picture taken way back in 2004, I’ve not dragged in a looooooong time, but now I’m single again I want to get back into it. Stevie Wonderful with thanks to Lennaland. Most of the time that acceptability comes with cuts designed to fit feminine fashion standards and like, a woman wearing a MEN'S suit is treated very differently than a woman wearing a suit designed for women's fashion. For a long while they were the only online Drag King presence in the UK. With their exquisite costumes and convincing facial hair they were the toast of the Lesbian Scene, modellng and performing in the south. ![]() ![]() These are all very different films (aside of being classified as "horror" in some form), but a common theme between all of them is their unique aesthetic identity, brought into the film majorly by outsider artists artists that don't fit the pathologically standardized mold of Hollywood concept artist work, where artists are rarely treated as, well, artists with a unique vision of their own capable of bringing something fresh and new to a project, and instead are seen as nothing more than grunt physical work to fill in the gaps of visual flair in a movie instead these films have artists that were approached for their intriguing, evocative and unique ideas and sets of skills, rendering results that easily stand out amongst the crowd, and not just for the superficial appeal of the aesthetics, but often in cases for the way these artists' work consciously or unconsciously drive the movies' themes, psychology and symbolism. In 2006, the Hot Frollick Drag Collective formed in Brighton.
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